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Economical Way to Stretch Meals Using Chicken

Foodemic / Recipe
  • 23 April 2020
  • Billy Tang
Illustration by Shilfina Putri

Basically these recipes will turning A whole chicken into three different dishes. Schmaltz and Gribenes, into Chicken Pho, into Hainese Chicken Rice.

Schmaltz and Gribenes

  • Remove the skin from the chickens
  • Then you can google schmaltz/gribenes recipe.
  • Its basically cooking down skin until oil becomes separate and skin crispy.
  • Add shallots to fry with the skin for extra fragrance.
  • Make sure the oil doesn’t discolour and is yellow colour.
  • When the skin is crispy it is readyStrain the oil so you have crunchy parts that are separate.

Day 1 : Chicken Pho

  • One or two chickens
  • 2 yellow onions
  • 4inch ginger
  • 2 tablespoons coriander seeds
  • 4 whole cloves
  • 2 tablespoons of pepper corns
  • small bunch of cilantro stems
  • 2 inch chunk of rock sugar, or sugar to taste
  • if you have, bunch of sandworms or dried scallops or shrimp (for a nice base flavour)
  • spring onions, a bunch
  • fish sauce
  • salt

Methods:

  • To speed up cooking I normally butcher the chicken in pieces rather than cooking whole. Remove all wings as first step, can roast them for another meal and put in sandwiches. Cut the carcass in half, if you have two chickens you have four large pieces. Remove any excess fat (can cook with the skin for above schmaltz). Wash chicken parts with with salt, then rinse throughly with water.
  • Take the onions (skin on), ginger, and aromatics, sandworms or dried seafood, put in oven to roast for 40-60mins. Basically want the onion really brown, and everything a little smoky. Not sure the oven temperature and timing but maybe 180c and keep an eye on things?
  • Peal the burnt skin from onions and put into the stock pot with onions. Put aromatics into a stock metal thing to stop it floating around and add to pot. Throw in the sandworms or dried seafood. Then add the chicken pieces and fill up the pot to top with water. Bring to boil, then turn down heat into a strong simmer so the water is rolling but not violently.
  • After 20mins or so, take out the chicken. Cool by maybe running it over a tap of cold water or ice bath. When ok to touch, basically remove flesh from bones. Can try and do it neatly by using knife as you will be using this for Hainan Chicken. Can separate dark meat from white meat at this point. I like using dark meat for pho topping and shredding it. Other parts can put in fridge for next day Hainan Chicken. The dark meat can season with salt, pepper, touch of light soy, sesame oil, leave to one side or refrigerate so its perky. As you remove flesh, throw the separated bones back into the still boiling stock pot. With the stock, keep an eye on the fat, and skim if necessary as you want a clear brothThe fat oil can add into the boiling schmaltz to boost it. Then boil for a minimum of 2 hours, but its nicer longer for maybe 3 hours.
  • About an hour before finish, can add the rock sugar and take out aromatics. Would at this point tie up the spring onion bunches and add that to the stockCan tentatively begin seasoning with mixture of fish sauce and salt. Its basically a combination of sweet and umami saltiness from fish sauce with the chicken as the base. The rock sugar and fish sauce helps the chicken broth gain more flavor so you have to taste and balance, if you mess it up can adjust by also adding more water to stock – although its good to allow the stock to reduce to a leave like 25% down from the level you start with. 
  • When the soup is almost ready, can prepare the PHO noodles. Thin ones are nice, or can buy fresh thick cut ones. For dried ones can soak in cold water an hour before, then when almost ready have boiling water ready and add, it should cook very quickly. You basically want to time it so the noodles are fresh, hot, and ready to put directly in the bowl.
  • To build the bowl its like this: Finely cut green part of spring onion, white part can put in container of water so it grows back. Put cooked noodles into the bowl. Add a table spoon of schmaltz (aka chicken fat)Add the dark meat or white if you want chicken meat on top of noodle. Add a pile of spring onions. Then ladle on top of chicken and warm pho noodles. You want to add enough soup that goes slightly above the top of pho noodles
  • As additional toppings can add beansprouts, squeeze some lime, chilis, hoisin sauce, etc, etc
  • Each person can also flavour with extra fish sauce.

Day 2 : Hainese Chicken Rice.

  • Rice
  • Spring Onion
  • Ginger
  • Light Soy Sauce
  • Sugar

Methods:

  • Hopefully you have leftover pho stock.
  • For the rice, you basically add enough schmaltz into a frying pan and you want to fry the rice grains first. Make sure to flip or stir so that the grains are evenly coated in the fat. Can season a bit. You will hear some crackling. Once fragrant and infused, take off heat and add to rice cooker.
  • Then add pho stock to the rice cooker, cook the rice in the stock.
  • When rice is ready and on standby. Add how many chicken pieces you want and warm it in the rice cooker by placing it on the rice. You need to get timing right and you don’t want to overcook the chicken, just warm it up.
  • For the sauce, use schmaltz and mix it with finely cut scallions and minced ginger togetherSeason with salt or a touch of fish sauce.
  • There are three sauces. The second sauce is a sweet soy sauce.
  • The quick way is to dark two table spoons light soy, one table spoon dark soy, and add to taste sugar (prob 1 or 2 tablespoons) and mix.
  • The third sauce is chilli sauce.
  • Then you take rice out, add the chicken on top, then add dollops of the three sauces.
  • Ideally as side, you can cut cucumber into coins and add.Can garnish with sprigs of coriander and also the Gribenes (the crispy chicken skin) 
  • That’s basically at least two different meals from the chicken. A third if you count roasting the chicken wings, shredding and making into sandwiches. And the Gribenes you can also add to salad, like lettuce with wakame and tomato, then a dressing using miso, mirin, soy sauce, and red wine vinegar.

These were my COVID cooking experiences!

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BAKUDAPAN is a study group that discuss ideas about food. The word BAKUDAPAN itself is inspired by “bakudapa”, which comes from Manadonese (North Sulawesi) language meaning to “meet”, and also “kudapan” which is a kind of snack that is usually served when there are activities such as a meeting, visiting, and even when hanging out. Therefore, “bakudapan” can be translated as eating snacks while meeting. Through this name, we would like to meet with people who have an interest in food.

BAKUDAPAN adalah sebuah kelompok studi yang mengkaji topik-topik mengenai makan dan makanan. BAKUDAPAN sendiri terinspirasi dari kata “bakudapa” yang berasal dari bahasa Manado (Sulawesi Utara), yang berarti “bertemu”, dan “kudapan” adalah makanan ringan yang biasa disajikan saat adanya aktivitas bertemu orang lain, baik bertamu, rapat, ataupun nongkrong. Sehingga “bakudapan” dapat diartikan sebagai kegiatan bertemu sambil memakan kudapan. Melalui nama inilah, kami ingin bertemu dengan orang-orang yang memiliki ketertarikan terhadap makanan.

We believe that food not merely about filling the stomach. Moreover, food are not restricted about cooking, history, conservation and the ambition to introduce it to the world. For us, food can be an instrument to speak about broader issues, such as politics, social, gender, economy, philosophy, art, and culture.

Kami percaya bahwa makanan tidak hanya soal memasak, asal muasalnya, serta ambisi untuk melestarikan dan mengenalkannya kepada dunia. Bagi kami, makanan dapat menjadi alat dan jalan masuk untuk membicarakan isu yang lebih luas, baik itu ekonomi, politik, sosial, gender, seni, maupun budaya yang lebih luas.

As a study group, we were open for those who would like to join with our projects and activities, despite the difference of backgrounds. The main scheme in our projects is to do cross reference and research about food, which have a trajectory between art, ethnography, research and practice. In doing research, we interested to explore and experiment with the methods and forms, from arts (performance, artistic setting, exhibition, etc) to daily life practices (cooking, gardening, reading, etc). As a reflection process and our intention to generate and share the knowledge, we produce a journal in every projects and actively train ourselves to writes in our website.

Sebagai kelompok belajar kajian makanan, kami terbuka untuk rekan-rekan yang ingin bergabung dengan latar belakang yang beragam. Skema kerja dalam kelompok Bakudapan ini adalah melakukan penelitian dan silang referensi tentang makanan, baik dalam ranah etnografi, antropologi dan seni. Dalam prakteknya kami juga tertarik bereksperimen dengan berbagai metode, mulai dari aktivitas pameran seni, performans, hingga kegiatan seperti memasak, berkebun, klub membaca dan lainnya. Sebagai bagian dari proses riset dan reflektif, kami sedang memaksa diri kami untuk aktif menulis melalui website ini.

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Elia Nurvista (b.1983)
Elia Nurvista explores a wide range of art mediums with an interdisciplinary approach and focuses on the discourse on food politics. Through food, she intends to scrutinize power, social, and economic inequality in this world. Using several mediums from workshop, study group, publication, site specific, performance, video and art installations, she explores the social implications of the food system to critically address the wider issues such as ecology, gender, class and geopolitics. In 2015, with Khairunnisa she initiated Bakudapan Food Study Group. She actively works on her individual projects as well as collective work with Bakudapan.

Elia Nurvista (b.1983)
Elia Nurvista merupakan seniman multidisiplin yang karya-karyanya fokus pada politik pangan. Melalui pangan, ia ingin melihat lebih dalam tentang ketimpangan kekuasaan, sosial, dan ekonomi yang beroperasi secara global. Dengan menggunakan berbagai medium seperti lokakarya, kelompok belajar, publikasi, site specific, pertunjukan, video dan instalasi seni, ia mengeksplorasi implikasi sosial dari sistem pangan untuk secara kritis menyikapi isu-isu yang lebih luas seperti ekologi, gender, kelas dan geopolitik. Pada tahun 2015, bersama Khairunnisa, ia memprakarsai Bakudapan Food Study Group. Ia aktif mengerjakan proyek-proyek individualnya dan juga kerja kolektif bersama Bakudapan.

Eliesta Handitya (b. 1998)
Eliesta Handitya is an anthropology learner, graduated from Cultural Anthropology Department, UGM. She worked on a daily basis as an independent researcher, writer, and editor based in Yogyakarta/Bandung. Liesta is interested in delving on how cultural and social movements become ways in weaving mutual collaboration, practicing collective care to sustain equality and justice, and create space for people to learn together—nurtured with the community or in her daily personal life. Her research revolves around the intersectionalities between urban issues, social-technological studies, social-ecological justice, and cultural labor issues. Liesta is also a member of Struggles for Sovereignty, and co-managing independent publication project named Poppakultura.

Eliesta Handitya (b. 1998)
Eliesta Handitya adalah seorang pembelajar antropologi, lulusan Departemen Antropologi Budaya, UGM. Saat ini, ia bekerja sebagai penulis, peneliti, dan editor independen berbasis di Yogyakarta/Bandung. Liesta tertarik mendalami bagaimana gerakan sosial dan kebudayaan bisa menjadi cara untuk merajut kolaborasi yang setara, merawat kesetaraan dan keadilan, dan menciptakan ruang tumbuh bersama—ditumbuhkan melalui kerja komunitas maupun dalam kehidupan personal sehari-hari. Fokus penelitian yang ia dalami, di antaranya persilangan mengenai isu perkotaan, pangan, kajian dengan pendekatan sosial-teknologi, keadilan sosial-ekologi, dan pekerja budaya. Liesta juga merupakan anggota Struggles for Sovereignty, dan sedang mengelola proyek penerbitan independen bernama Poppakultura.

Gatari Surya Kusuma (b.1993)
Gatari is a cultural worker based in Yogyakarta, Indonesia. She has been part of Bakudapan Food Study Group since the start. Besides being part of Bakudapan, she is working as a researcher in KUNCI Study Forum & Collective. Her interest in these collectives is to continue exploring in research methods and understanding of learning. And also about how knowledge is re-produce and re-question in these topics. Lately it is working on topics such as collective work practice and city as a space.

Gatari Surya Kusuma (b.1993)
Gatari adalah seorang pekerja budaya yang tinggal di Yogyakarta, Indonesia. Dia telah menjadi bagian dari Kelompok Studi Makanan Bakudapan sejak awal. Selain menjadi bagian dari Bakudapan, ia juga bekerja sebagai peneliti di KUNCI Study Forum & Collective. Ketertarikannya pada kolektif ini adalah untuk terus mengeksplorasi metode penelitian dan pemahaman pembelajaran. Dan juga tentang bagaimana pengetahuan diproduksi ulang dan dipertanyakan kembali dalam topik-topik tersebut. Akhir-akhir ini mereka sedang mengerjakan topik-topik seperti praktik kerja kolektif dan kota sebagai sebuah ruang.

Meivy Andriani Larasati (b. 1998)
Meivy is a researcher and translator with eclectic interests. Perhaps her years as an anthropology student may be responsible for this outlook as she continues striving to find meaning and wonder in the mundane. In Bakudapan, she found an expansive way to channel her misgivings about food and learn about collectivity. She is currently honing her skills in reading and writing, as well as volunteering. Sometimes she writes in her personal blog besokbesokbesok.wordpress.com

Meivy Andriani Larasati (b. 1998)
Meivy adalah seorang peneliti dan penerjemah dengan minat yang eklektik. Mungkin pengalamannya mempelajari antropologi budaya bertanggung jawab atas pandangannya ini, karena ia terus berusaha menemukan makna dan keajaiban dalam hal-hal yang biasa. Di Bakudapan, ia menemukan cara untuk menyalurkan keraguannya tentang makanan dan belajar tentang kolektivitas. Saat ini ia sedang mengasah kemampuannya dalam membaca dan menulis, serta menjadi sukarelawan. Terkadang ia menulis di blog pribadinya besokbesokbesok.wordpress.com

Monika Swastyastu (b 1994)
Monika is an independent researcher with a background in cultural anthropology. Her research covers topics such as identity, food security,foodways, ethical consumption, and green capitalism. She has a particular interest in food anthropology. Additionally, Monika is a self-taught cook who explores various flavors and recipes. Recently, she has been interested in developing wine with local fruits under her own label. She also has experience in the food and beverage business.

Monika Swastyastu (b 1994)
Monika adalah seorang peneliti independen dengan latar belakang antropologi budaya. Penelitiannya mencakup topik-topik seperti identitas, ketahanan pangan, kebiasaan makan, konsumsi etis, dan kapitalisme hijau. Ia memiliki minat khusus dalam antropologi pangan dan juga eksplorasi metodologi penelitian. Selain itu, Monika adalah seorang juru masak otodidak yang mengeksplorasi berbagai rasa dan resep. Baru-baru ini, ia tertarik mengembangkan wine dengan buah-buahan lokal di bawah labelnya sendiri. Ia juga memiliki pengalaman dalam bisnis makanan dan minuman.

Khairunnisa (b.1991)
Khairunnisa (Nisa) is an independent researcher and art worker. She co-founded Bakudapan Food Study Group after she graduated from the Cultural Anthropology Department at Gadjah Mada University. She is currently an active member in Struggles for Sovereignty. Through her experience working in collectives, she gained interest in experimenting with research practices and learning methods. Nisa’s ongoing research interests are care and domestic works, solidarity and knowledge production which she actively exercises in her practice personally and collectively.

Khairunnisa (b.1991)
Khairunnisa (Nisa) adalah seorang peneliti independen dan pekerja seni. Dia mendirikan Bakudapan Food Study Group bersama seorang teman setelah menyelesaikan jenjang sarjana di Antropologi Budaya, Universitas Gadjah Mada. Saat ini dia juga aktif sebagai anggota dari Struggles for Sovereignty. Sebagai seorang peneliti, Nisa memiliki ketertarikan dalam kerja domestik dan perawatan, solidaritas, dan pertukaran pengetahuan yang dia kembangkan baik secara personal maupun bersama kolektif.

Shilfina Putri Widatama (b. 1998)
Shilfina is currently involved in a range of communication work, from research-based artistic projects and project management to campaign and advocacy strategizing. Her practice mainly focuses on climate justice advocacy, with additional specialization in issues of energy sovereignty and development, gender, and ecology. Her analytical approach is influenced by her undergraduate study of philosophy at Universitas Gadjah Mada. She believes in the strength of collectivity and often contributes to the creation of illustrations, graphic design, and copywriting in her practice.

Shilfina Putri Widatama (b. 1998)
Saat ini Shilfina terlibat dalam berbagai kerja-kerja komunikasi, mulai dari proyek artistik berbasis penelitian, manajemen proyek hingga perencanaan kampanye dan advokasi. Kesehariannya yang berkutat dalam advokasi keadilan iklim juga memiliki fokus penekanan pada isu-isu kedaulatan energi serta pembangunan, gender, dan ekologi. Pendekatannya yang analitis juga dipengaruhi oleh studi sarjananya yaitu Ilmu Filsafat di Universitas Gadjah Mada. Shilfina percaya pada kekuatan kolektivitas dan sering berkontribusi dalam pembuatan ilustrasi, desain grafis, dan penulisan naskah dalam praktiknya.

Esty Wika Silva (b. 1994)
Silva is interested in issues related to the environment and daily activism, delving into emotions, psychology, and collective awareness that are interconnected in the everyday relationships between communities and individuals as a reflection, and using embroidery as an artistic medium to document and reflect the process. Silva is also interested in exploring textile waste management from her embroidery production for various needs such as crafting and slow fashion in small-scale. Apart from that, she works as a commissioned illustrator, writes fiction, and explores music culture and independent publishing

Esty Wika Silva (b. 1994)
Silva tertarik dengan isu-isu yang bersinggungan dengan lingkungan dan aktivisme sehari-hari, mendalami emosi, psikologi dan kesadaran kolektif yang saling terhubung dalam relasi sehari-hari antar komunitas dan individu sebagai refleksinya, dan menggunakan pendekatan artistik media sulam untuk mencatat proses tersebut. Silva juga tertarik mendalami pengolahan limbah tekstil dari proses produksi sulamnya untuk berbagai kebutuhan seperti slow fashion dan crafting dalam skala kecil. Selain itu, ia juga bekerja sebagai ilustrator komisi, menulis fiksi, mengeksplorasi kultur musik dan terbitan mandiri.